Taliban Silence Pakistani Musicians |
PESHAWAR, Pakistan----It has been almost two years since singer Gulzar Alam, the master of classical Pashto music, performed in a public concert.
He went back to his cubicle, sat down, threw the fragment of paper casually among the other papers on the desk, put on his spectacles and hitched the speakwrite towards him. "Five minutes," he told himself, "Five minutes at the very least!" His heart bumped in his breast with frightening loudness. Fortunately the piece of work he was engaged on was mere routine, the rectification of a long list of figures, not needing close attention.
The wave of Islamic militancy that intensified in recent years, killing thousands of Pakistanis and hitting Mr. Alam's northwestern city of Peshawar particularly hard, also has proved devastating to the region's traditional----and unique----music culture.
Whatever was written on the paper, it must have some kind of political meaning. So far as he could see there were two possibilities. One, much the more likely, was that the girl was an agent of the Thought Police, just as he had feared. He did not know why the Thought Police should choose to deliver their messages in such a fashion, but perhaps they had their reasons. The thing that was written on the paper might be a threat, a summons, an order to commit suicide, a trap of some description. But there was another, wilder possibility that kept raising its head, though he tried vainly to suppress it. This was, that the message did not come from the Thought Police at all, but from some kind of underground organization. Perhaps the Brotherhood existed after all! Perhaps the girl was part of it! No doubt the idea was absurd, but it had sprung into his mind in the very instant of feeling the scrap of paper in his hand. It was not till a couple of minutes later that the other, more probable explanation had occurred to him. And even now, though his intellect told him that the message probably meant death----still, that was not what he believed, and the unreasonable hope persisted, and his heart banged, and it was with difficulty that he kept his voice from trembling as he murmured his figures into the speakwrite.
"If they blow up mosques and funerals, then they can definitely blow up a concert," the 58-year-old singer says. "That fear is there."
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